EMERSON LAKE AND PALMER BRAIN SALAD SURGERY
ATLANTIC/MANTICORE 1973-1974
DESIGNER: FABIO NICOLI
ARTIST: H.R. GIGER

Work # 217 and #218, ELP I and II, © 1973 HR GIGER
Cover paintings for the album 'Brain Salad Surgery' by Emerson Lake & Palmer
Courtesy of www.HRGiger.com.

 

I remember the summer of 1974, California Jam was being broadcast that night on ABC television. All of my favorite bands at that time were at this event. DEEP PURPLE (with their then new lead singer David Coverdale) BLACK SABBATH and that new electronic band that everyone in my High School was talking about EMERSON, LAKE and PALMER. I was blown away by their performance. The next day I headed straight to my favorite record store CUTLERS in NEW HAVEN CT. right in the heart of YALE.

My friend Bob went to the rack and returned with the LP in hand “This is the one” he said, “It’s killer”. He handed me a copy of BRAIN SALAD SURGERY. Wow! Obviously the first thing that struck me was H.R. GIGER’S incredible horrific, futuristic cover. It had a huge influence on me right then and in later years, as I bought and have collected books, prints and articles on GIGER. I even went through a GIGER period in college where I painted what would become THE SPECTRE WITHIN album cover for FATES WARNING.

The cover art features a skull in a metal vice with a woman’s pouting lips before a shaft of light (in a die cut by designer Fabio Nicoli) a metallic shaft at the bottom with the ELP logo. Upon opening the die cut the full face of the woman is revealed in the classic GIGER pale dead colors, her hair and face adorned with patterns and her medusa like metallic locks flowing. It was breathtaking artwork, and so photographic in it’s rendering that at first I wasn’t sure if it was a painting or some type of trick photography.


H.R. GIGER was born in 1940 in Chur, Switzerland the son of the local pharmacist. He was trained early in drawing, painting and architecture. GIGER talked about having all kinds of nightmares when he was a child that gave him the inspiration for his paintings. While living in Zurich in 1973 and listening to the music of ELP, DAVID BOWIE, and MILES DAVIS he painted a triptych entitled LANDSCAPE XIX-WORK 216.

ELP’s Swiss agent contacted GIGER and told him that the band wanted him to do their next album cover that at the time was entitled WHIP SOME SKULL ON YA. GIGER was surprised on the accolades and flattery that KEITH EMERSON showered him with, he had never before met a famous rock star. KEITH had been forewarned that GIGER was strange to say the least, however he was very impressed with his personality and work. They immediately connected, GIGER showed him the painting he was working on and KEITH felt that it was perfect for the new album.

GIGER painted a new piece approximately actual size for the album, in about two days which is amazing considering the detail. At this point I need to say something about GIGER's technique for you serious art junkies. In my humble opinion GIGER is the finest draftsman in the 21st century, here’s why, he paints freeform. In other words what he does is tacks up the canvas or paper to the wall, fills up his airbrush with black acrylic, sometimes white (at the time he exclusively painted in monochrome, thus the eerie look of his art) and starts on one end of the canvas and doesn’t stop until he gets to the other end of the canvas.

No pre sketches, no guidelines, no layouts, nothing. He has said sometimes he goes on marathons without eating or drinking for days, almost as though he is possessed letting the art flow through him. This is mind boggling when you see the sheer scope, size (ELP was a rarity) and detail of his paintings.

The art was completed to everyone’s satisfaction and was handed in. Then the fun began! ELP changed the name to BRAIN SALAD SURGERY (a line from a Dr. John song) GIGER was very upset until it was pointed out to him that it meant the same thing and referred to oral sex, which pleased him very much. Then a woman at the pressing plant complained the art was pornographic! The distributors balked. The record company told GIGER to take the penis out. He refused to alter his masterpiece, but succumbed when told that the band would then have to look for another cover. So he airbrushed over it to make it a shaft of light.

Now I think he did an amazing job, making it subliminal. Once someone tells you what the woman’s lips are about to do and points it out, it becomes clearly visible. I know of a woman friend of mine who had it framed and on her wall and never really noticed it for many years. Once I pointed this out to her she freaked, because that’s all she can see and eventually had to take the cover down!

When GIGER got the album he was very upset, it seems that no one had checked the proofs and the album colors looked nothing like his painting (he was right when you see a fine print reproduction it’s amazing how much detail is lost and how striking it is.) The colors actually fluctuated from country to country!!

Regardless it was a massive success both musically and artistically, KEITH felt it was the zenith of ELP’s creative output before the solo stuff started. The ELP logo GIGER created has been used practically ever since. T-shirts, prints, posters, backdrops, tons of reissues and one of the most frequent images I have seen painted on the side of vans and motorcycles. GIGER’s images have stood the test of times and in my opinion is one of the greatest album covers of all time.

H.R. GIGER went on to become a world famous artist and designer, his paintings and prints worth hundreds of thousand of dollars. He won an Oscar for his spectacular work for the movie ALIEN and continues to do film work SPECIES, POLTERGEIST, and others. GIGER also painted the cover for DEBBIE HARRY’s KOO-KOO album and, more recently,designed a microphone stand for JONATHAN DAVIS, the lead singer of KORN. You can see them in the MUSIC section of Giger’s official website www.HRGiger.com.

Sadly I was recently informed by Mr. Giger's representative that during a recent exhibition in Prague the ELP art was stolen. You can read the story on Mr. Giger's official website, HRGiger.com. The page can be found through a link from his NEWSBOX on the main page: Missing in Prague - ELP paintings. A reward has been offered.

For ELP the rumors persist that the boys may get together for an anniversary tour this summer. You can visit their site here.

For me I’m getting back to work on another album project and going out this weekend to
do what else, track down some more great art from my heroes.

 

 

© 2005 Ioannis and George Vasilopoulos
No images on this site can be copied, used or downloaded without the
expressed written permission of the artist.

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